Akira Kurosawa is surely one of the most well-known Japanese filmmakers, and it was exploring some of his classic samurai films that prompted me to create this blog. I wanted to explore more of his work and that led me to Kagemusha (1980). While I hope to watch some of his films from other genres soon, Kagemusha is nevertheless interesting even though it’s another samurai epic. It marks the first Kurosawa film I’ve seen in colour – only his third overall, following Dodeskaden and the Soviet-Japanese production Dersu Uzala. Even though colour film seemed to arrive late in Japan, Kurosawa continued working in black and white well into the 1960s. Kagemusha is also striking to me for the absence of Toshiro Mifune, Kurosawa’s longtime collaborator. The 1965 film Red Beard was their last work, but instead Kagemusha features Tastuya Nakadai as the lead – unrecognisable from his earlier appearances as villains in Kurosawa’s Yojimbo and Sanjuro.
If I had to pick a movie as a guilty pleasure, I might choose The Fast and the Furious: Tokyo Drift (2006) – except I don’t feel guilty at all, because I love this movie. The third instalment in the now massive, globe-trotting franchise, back in the mid-2000s the future of the series seemed in jeopardy: Vin Diesel had left after one film, Paul Walker after the second. Tokyo Drift was essentially a Hail Mary soft reboot with an all-new cast that transplanted the action to Tokyo, and swapped street races for suitably Japan-inspired drifting.
While the focus of this blog is, and will remain, on Japanese cinema, my tastes are eclectic. I love all kinds of movies, and sometimes, I’ll feature them here if they have some suitable hook – maybe they’re set in Japan, or from a Japanese director working on a foreign production, or it’s a remake of a Japanese movie. In the case of Tokyo Drift, I’m using the location and a scenery-chewing appearance by Sonny Chiba as an excuse.