Director Shunya Ito returns with his final entry in the Female Prisoner Scorpion series with Female Prisoner Scorpion: Beast Stable (1973). Loosely picking up where Jailhouse 41 left off, Meiko Kaji’s escaped convict Matsushima, aka the titular Scorpion, is on the run and still doggedly pursued by the police. Taking place largely outside of any actual prison and in an urban setting would already give the movie a different feel to its predecessors, even Jailhouse 41 that also prominently featured an escape attempt, but Ito also gives Beast Stable a far stranger, more horror-oriented tone than his earlier entries. At times, it feels more like watching something as surreal as Blind Woman’s Curse – not coincidentally, also starring Meiko Kaji. So different is the tone that in the back of my mind I knew that Ito didn’t direct all four Female Prisoner Scorpion movies and I found myself wondering if this, and not the final #701’s Grudge Song, was the movie he skipped.
I’ve said it repeatedly already, but it’s still relevant: beyond just wanting to widen my horizons on Japanese cinema, one of the main reasons I want to watch films from the ’50s, ’60s, and ’70s is their outsized influence on later filmmakers. Quentin Tarantino is outspoken on the influence Japanese cinema has had on his pictures, with Kill Bill in particular owing much to Lady Snowblood (1973).