The Female Prisoner Scorpion and Lady Snowblood film series present a similar challenge: at the end of the first film in each, Meiko Kaji’s protagonist has found her revenge, so how will the series continue? I suspected Female Prisoner Scorpion: Jailhouse 41 (1972) might be a sequel in name only, starring Kaji and her titular, vengeful protagonist in a new scenario, rather like the Outlaw films of the 60s. Instead, Jailhouse 41 picks up where the first film left off, with a brutal reminder that Scorpion’s vengeance is not complete: the prison warden yet lives.
Lone Wolf and Cub was always one of those series that I knew existed, but had never seen; I knew it better from the voluminous stacks of manga sitting unread in my local comic shop than as a movie series. Unlike some of the films I’ve reviewed here that only received a wider release outside of Japan very recently, Lone Wolf and Cub: Sword of Vengeance (1972) did actually get an international release back in the 1970s, but it’s probably better known under the title Shogun Assassin from 1980. That film, a dubbed re-edit of the first two films in the Lone Wolf and Cub series, apparently only uses 11 minutes of footage from Sword of Vengeance. After watching it, I can guess why, and only hope the rest of the series – presented by Criterion in a wonderfully illustrated six-film set – offers some rapid improvement.
As I look to explore the cult and classic movies of Japanese cinema from the ‘50s, ‘60s, and ‘70s, I’m limited by what’s actually available in the West and guided by recommendations from other film fans and critics. Female Prisoner #701: Scorpion (1972) was an early suggestion for this blog and one that I’m glad I sought out. The directorial debut of Shunya Itō, starring Meiko Kaji, Scorpion is a brutal exploitation film and a subversive example of the women in prison subgenre.