My experiences with the first two Lone Wolf and Cub movies didn’t fill me with excitement for the remaining four films in Criterion’s box set. I don’t regret watching them, but I was starting to regret owning the collection – all the more reason to be sad Amazon was shuttering its LoveFilm rental service. And yet! Lone Wolf and Cub: Baby Cart to Hades (1972) performs the nigh impossible task of course-correcting from the previous films, with drastically improved cinematography and fight scenes, as well as more interesting character interactions. While still by no means a perfect film, it took me by surprise, and reinvigorated my interest in the series.
In this second instalment of the cult Lone Wolf and Cub, Itto Ogami (Tomisaburo Wakayama) and infant son Daigoro take on a Shogunate plot to steal a region’s indigo dye techniques, do battle with a legion of ninjas and plenty of sword maidens, and spray buckets of luminously-red blood. It’s Lone Wolf and Cub: Baby Cart at the River Styx (1972)! When I reviewed the first film in the series, I wrote how deeply disappointed I was; it was not the vital action classic I was imagining. Does the sequel manage to right those wrongs?
Lone Wolf and Cub was always one of those series that I knew existed, but had never seen; I knew it better from the voluminous stacks of manga sitting unread in my local comic shop than as a movie series. Unlike some of the films I’ve reviewed here that only received a wider release outside of Japan very recently, Lone Wolf and Cub: Sword of Vengeance (1972) did actually get an international release back in the 1970s, but it’s probably better known under the title Shogun Assassin from 1980. That film, a dubbed re-edit of the first two films in the Lone Wolf and Cub series, apparently only uses 11 minutes of footage from Sword of Vengeance. After watching it, I can guess why, and only hope the rest of the series – presented by Criterion in a wonderfully illustrated six-film set – offers some rapid improvement.