It’s safe to say I’ve been somewhat disappointed with New Battles Without Honour and Humanity, the studio-mandated follow-up series to Kinji Fukasaku’s spectacular Battles Without Honour and Humanity. In the first New Battles film, Fukasaku more or less remade his earlier work, but without some of the depth or care. The Boss’s Head turned the series into an anthology of disconnected stories, and while that was an improvement, it still couldn’t hold a candle to Fukasaku’s stronger films. For the first time, then, New Battles Without Honour and Humanity: Last Days of the Boss (1976) feels like Fukasaku and his team brought something genuinely new to the table and turned out a compelling – if flawed – yakuza flick.
Where New Battles Without Honour and Humanity was essentially a remake of Kinji Fukasaku’s own earlier film, in The Boss’s Head (1975) the director returns with an original story that nevertheless reunites much of his earlier cast. Bunta Sugawara stars as Kuroda, a wanderer who takes the fall for a murder on the understanding that when he gets out of jail, the Owada crime family will take him on-board and pay handsomely for his service. When his heroin junkie contact (Tsutomu Yamazaki, A Taxing Woman) in the family lets him down, Kuroda stops at nothing to get what he feels he deserves.
It’s ironic that the films that inspired me to write about Japanese cinema aren’t yet covered here, but it was Kinji Fukasaku’s original, sprawling Battles Without Honour and Humanity series that turned me around on Japanese film and cemented my love of yakuza on the silver screen. After the success of those films, Toei apparently felt the same way: they wanted Fukasaku to create more sequels. Instead, the director created a new three-film anthology – different stories, different locations, and different characters, but with many of the same actors from his original series. The first film, New Battles Without Honour and Humanity (1974), walks a fine line between retelling the events of the film that started it all and being a brand new experience.