Every now and again I stumble across a film whose premise is so fascinatingly odd that I just have to see it. Japan’s Toho studio reacting to the success of British Hammer horror in the 1960s and putting out a loosely connected trilogy of Dracula-inspired vampire films? Sign me up. Like many of the more oddball Japanese titles I watch this came via Arrow Films, who put out a Blu-Ray collecting all three of the so-called ‘Bloodthirsty Trilogy’. I picked it up when I saw it in the January sales and then promptly forgot about it until indecisively browsing for something to watch on a chilly February night. This long-winded preamble to me sitting down to watch The Vampire Doll (1970) is, sadly, probably more entertaining than the film itself.
Continuing a dive into Meiko Kaji’s past performances I decided to check out Delinquent Girl Boss (1970), the first movie in the Stray Cat Rock series. Initially intended as a star vehicle for the popular singer Akiko Wada, from the second film onwards it would be Kaji who scored top billing, and Wada soon disappeared from the cast. Going into the film, I expected it to be a case of Meiko Kaji outshining the intended star – after all, by this point I had already been impressed with her performance in Lady Snowblood and was starting to see why she’s held in such high regard by genre movie fans. I figured that maybe Wada wasn’t able to carry the movie the way Nikkatsu wanted, but I couldn’t have been more wrong.
The inimitable Meiko Kaji’s first starring role, Teruo Ishii’s Blind Woman’s Curse (1970) is an aggressively strange yakuza movie with a touch of the supernatural. It’s so strange the Arrow Video release calls it ‘delerious’ multiple times on the cover, and for once, that doesn’t feel unfair – from the bold use of colour to the costuming to the off-kilter horror elements, the film is a phantasmagoric treat.