Living in Leeds as a film fan has its perks. The city has a long historical association with filmmaking, and annually hosts the Leeds International Film Festival, celebrating films from across the world. Despite living in the city for over a decade now I only started attending the festival in recent years, but it’s quickly become an annual tradition of my own. Every year I enjoy looking through the programme, keeping a particular eye out for Japanese cinema. 2020 has disrupted this yearly ritual as much as anything else. LIFF2020 is smaller, with fewer feature films on the programme, and split between some of its usual venues and a new online player.Continue reading “LIFF2020 Programme”
I’m not sure when I first heard of Shinichiro Ueda’s One Cut of the Dead (2017) but it quickly grew to be one of my most anticipated Japanese films, and I watched it creep up the UK from London festival by festival until it finally arrived in Leeds. I’d heard all kinds of good things about it: that it was an excellent zombie comedy, that it featured an extremely long single take shot – the ‘one cut’ of the title. The praise was so effusive I was determined to see it, but I still didn’t really know what to expect. The rough plot outline that I had heard, and that I will share here again, is that a low budget zombie horror film is interrupted by actual zombies and the director is determined to incorporate the real attacks into his film – in Japanese, the title is カメラを止めるな！ or ‘Don’t stop the camera!’. While that’s a wonderful title, it only scratches the surface of what makes One Cut of the Dead great.