LIFF2019: The Gangster, The Cop, The Devil (2019)

Over the next couple of weeks I’ll be checking out plenty that the Leeds International Film Festival has to offer, but as the majority of the films aren’t even tangentially related to Japan I won’t be reviewing them here on Kino 893. Instead, I’ll most likely be putting my thoughts up on Letterboxd, where you can find me as Korlis.

Gangster Cop Devil poster
The Gangster, The Cop, The Devil

First up was The Gangster, The Cop, The Devil from South Korean director Lee Won-Tae:

A slick, violent action-thriller that errs too far on the heavy-handed side to be truly great but is still a very fun ride built around Ma Deong-sok’s stellar performance as the titular gangster.

You can read the rest of my take here.

Review: The Battleship Island (2017)

This site focuses on Japanese cinema, but Japanese cinema is far from the only world The Battleship Island Postercinema I watch. Sometimes I like to highlight other films when they have some crossover with Japan, Japanese culture, or Japanese actors and directors. The South Korean WW2 drama The Battleship Island (2017), from director Ryoo Seung-wan, is just such a film. Set in 1945 on the island of Hashima (nicknamed ‘Gunkanjima‘ or ‘Battleship Island’ for its distinctive profile on the horizon), it follows a number of Korean conscripts pressed into forced labour in the island’s coal mines and ‘comfort stations’ by the Imperial Japanese authorities. As WW2 draws to a close and the authorities become increasingly desperate and brutal, the Korean workers hatch a plan to escape. Though the escape attempt is a work of fiction, the island itself, its coal mines, and the brutal conditions the workers lived under are all historical.

Continue reading “Review: The Battleship Island (2017)”