What can I write about Shinichiro Watanabe’s seminal, acclaimed, hugely influential anime Cowboy Bebop that has not already been discussed, in greater detail and with more eloquence, by people before me? I came very late to Cowboy Bebop; I’ve mentioned before when reviewing anime that aside from a handful of exceptions, like Ghost in the Shell, I hadn’t watched much until a few years ago. Cowboy Bebop was one of the landmark series that I’d somehow missed out on, and it took me seventeen years – the series aired in Japan in 1998, but not until 2001 in the west – to correct that grave mistake. Fortunately, Cowboy Bebop: The Movie (2001) gives me an opportunity to discuss the series as a whole and the film in particular. Set between episodes 23 and 24 of the original 26 episode run, the film works as more of a “lost episode” than as a either a capstone to the series or a truly standalone adventure. I imagine a casual viewer could approach it without having watched the series, but that would leave them missing out on much of the world- and character-building that went into the show – and as the film is set largely on Mars, it misses out on much of the swashbuckling, spacefaring charm of the series.